Trustee Emerita Liz Stringer. Photo by Tessa Chrisp for thisnzlife.co.nz
Liz Stringer Curatorial Internship
Liz Stringer Curatorial internship was established in 2016 as an opportunity for aspiring curators to:
gain valuable experience that can help boost them into a career in the arts
develop hands-on curatorial, collection and project management skills
curate one exhibition featuring works from the New Zealand Portrait Gallery Collection
develop skills and experience across the wide range of activities that take place in a busy public art gallery, including exhibition production, research, artwork selection, interpretation and public programme development
contribute new perspectives, connections and appreciation of portraiture to the Gallery
The Internship is part-time (approx. 8 hours a week) for approximately for 6-7 months over the course of a year and is supported by a stipend generously donated by Liz Stringer.
Applicants must have a tertiary qualification in art history, museum studies, fine arts or a related subject, or have relevant equal experience.
Interns
2025 Matthew Whiteman
2024 Maddie Brooks Gillespie
2023 Karis Evans
2022 Brooke Pou
2021 Lizzie Errington
2020 Paul Johnston
2019 Georgie Keyse
2018 Robert Laking
2017 Nicola Caldwell and Peter Derksen
Applications for the 2026 Curatorial internship are now open.
How to apply
Applicants must submit a proposal for an exhibition in the NZPG Front Gallery space with a 200 word concept. The concept should recontextualise items from the portrait gallery’s collection with a fresh perspective. Proposals should include a list of 10-20 proposed artworks featuring works selected from the New Zealand Portrait Gallery Collection and other local public and private collections (ie. Victoria University, Wellington City Council Collection, The Dowse, regional gallery collections, institutional collections, The Fletcher Trust Collection, The Arts House Trust Collection, as well as Artists and Private Dealers’ collections).
To request a job description or a plan of the Gallery please email admin@nzportraitgallery.org.nz
To apply send your exhibition proposal, cover letter and CV with the subject line “Curatorial Internship application” to: admin@nzportraitgallery.org.nz by 5pm Monday 24 April 2026.
Exhibitions curated by our Interns
A Horse Walks Into A Bar: Humour and Portraiture in Aotearoa is curated by Liz Stringer Curatorial Intern for 2025, Matthew Whiteman. Reaching across a half-century of portraiture in Aotearoa, this exhibition offers a potted history of how painters, photographers and video artists have snuck punchlines into the white cubes of the gallery, and to what end.
Image: Maurice Bennett, Self, 2010. 2275 pieces of toast, PVA and 2 pot lacquer on painted board. Collection of New Zealand Portrait Gallery Te Pūkenga Whakaata
A picture is a whole world unto itself.
Step beyond the frame and see what you find. Background Matters asks what can be revealed when we view the sitter of a portrait in the expanded field of their surroundings. In bringing the background to the fore, this exhibition subverts the hierarchy of subject and setting to consider the portraiture of Aotearoa New Zealand from a fresh vantage point.
Image: Nicolette Page, Carmen, Oil on board, 2012. Collection New Zealand Portrait Gallery, Gift of the artist
Love and marriage may be universal, but their mutual inclusivity is not. What can a wedding photograph tell us about the love shared between two people? How can portraiture better inform us about the experience of being in love?
Authors of Aotearoa focuses on the people who have shaped our country’s literary scene.
Curated by Liz Stringer Intern 2022 Brooke Pou.
Image: Susan Wilson, Witi Ihimaera, 2014. New Zealand Portrait Gallery Te Pūkenga Whakaata Collection.
This exhibition focuses on the unfinished portrait, which the New Zealand Portrait Gallery has numerous examples of within its collection.
Image: Leonard Mitchell, Mary-Annette Hay, 1945. NZPG Collection.
This exhibition asks: how are portraits utilised as tools of state and institutional power? and, how can portraiture be used in ways that undermine or subvert systems of power?
Image: Liz Maw, Elizabeth, 1999, Oil on board, Private collection
This exhibition celebrates the ongoing relevance and standing of the Alexander Turnbull Library, 100 years after it first opened.
Image: Gottfried Lindauer, Mrs. Ngahui Rangitakaiwaho of Wairarapa, Dec 21st 180 (ATL ref.G- 515) courtesy Alexander Turnbull Library, Wellington.
Works that defy the conventions of traditional portraiture and explore ways of communicating diverse identities through portraiture.
Curated by Georgie Keyse
Image: Frances Hodgkins, Still life: Self-portrait c.1935, oil on panel, collection of the Museum of Te Papa Tongarewa
Poutokomanawa features portraits and stories of the transgender women of Carmen’s generation including Chrissy Witoko, Georgina Beyer and Dana de Milo, celebrating their role as poutokomanawa for the community.
Image: Nicolette Page, Carmen 2012, oil on canvas, collection of the New Zealand Portrait Gallery Te Pūkenga Whakaata. Gift of the Artist. Photograph: Jess O’Brien
Co-curated by Chanel Hati, Talei Langley and Georgie Keyse
A look at artists’ self-portraits, which allow great freedom for artists to express their current moods, thoughts, feeling, and style. These artworks appear like diary entries, as they reflect the artist's present state of mind.
Curated by Robert Laking
Image: Alan Pearson, Self-portrait, Collection New Zealand Portrait Gallery
This exhibition asks what meaning is conveyed by the choice of clothing in a portrait?
Curated by Robert Laking
Portrait+ brings together an eclectic selection of New Zealand’s creative women, pairing their portraits with their works. We hope to expand on the notion of portraiture as a medium of likeness and identity - especially in the case of artists with their creative expression offering an alternative representation of self.
Image: Nigel Brown, Dame Gillian Whitehead at Dusky, 2008 Acrylic on board, New Zealand Portrait Gallery
Direct and uncompromising, the portraits in Eye to Eye explore the dynamics of looking shared between artist and subject, subject and viewer.